Montag, 6. Juli 2015

Interview with Georg Neuhauser, Fabio D'Amore & Natascha Koch

Part II (English version)

Translated by Marie-Kristin Kannler, proofread by Clemens Winklmaier
Find the German version here: German version

Find Part I here: Interview Part I

Tefls, 21. März 2015


Foto: Serenity Germany Official - Telfs, 21. März 2015
 

I would like to welcome Tasha (Natasch Koch from the band "Tasha") for our second part of the interview with Georg and Fabio.


Serenity Germany Official: Hallo Tasha, welcome to our little group. Starting with a question to all three of you, what are your favorite songs of all previous albums?

Tasha: Well, my absolute favorite song is "The Chevalier" (Death & Legacy), I really think it's very, very great as well as "Royal Pain" (
War of Ages). Those are my highlights. Of course, there's something on every album. "Velatum" (Fallen Sanctuary) is right up there in the top group.

Georg: My favorite songs ... in the meanwhile "Legacy of Tudors"
(War of Ages) worked its way up to the top. It's a really great song in my opinion and meets my liking. "Velatum" (Fallen Sanctuary) will be high up on the list and some faster stuff  like "Reduced To Nothingness" (Words Untold & Dreams Unlived) as well as "Far From Home" (Death & Legacy), or from the latest album "Symphony For The Quiet" (War of Ages). Yes, those are my favorite songs at the moment. Although this can change a bit from time to time.

Fabio: At the moment my favorite songs are, even though we never have played them live (Georg laughs!!!) first "Tannenberg"
(War of Ages) which is my absolute favorite song since the existence of "War Of Ages", plus "Symphony For The Quiet" (War of Ages). Both of them are very powerful and melodic songs. Let's see what the future holds, I don't know yet.


SGO: My favorite song is also "Tannenberg"–  only that I never had the luck to hear it live.

Georg: We had a vote for the setlist for the last two tours 2013 and 2014 and songs like "Legacy Of Tudors" was voted for the most and then we are going to play them.

SGO: So, I have to vote for "Tannenberg" a lot, in order for you to play it. ;) Have you never played "Tannenberg" live?


Georg: No, in the rehearsal room yes, but never live on stage.

SGO: Then it's about time, isn't it?

Georg: Next tour, new set list. ;)

SGO: “War Of Ages“ is my favorite album and it is hard to pick one song, because I like them all, nevertheless "Tannenberg" is my favorite. So, I have to let myself be surprised, maybe you are going to play it sometime.

Georg: Tom is going to be happy about this, because it is one of his songs. Tom had the basic idea for "Tannenberg", the vocal lines came from me and Clemi wrote the final text.

SGO: If you have the chance, you give your fans the opportunity to meet you personally at the merch after the show, signing CDs and taking pictures with the fans, I think that's great. I believe, it means a lot to you, to get close to your fans, right?

Tasha: (spontaneous) YES! (everyone's laughing) Yes, of course, it's something completely new to me. My own solo-career, isn't as advanced as Serenity yet and of course it's amazing seeing this when coming out for the first time. Especially for me it's really amazing, because the fans are all very sweet, and I was a bit scared, that they’re watching me a bit too closely with what I'm doing, but that wasn't the case. They all welcomed me warmheartedly and wanted to take pictures with me as well and everything ... so that's very nice. I think, that's only because the band had an eye on their fans and cares for them.

Georg: I understand, that it's difficult for a band with a certain magnitude to go to the merch booth after the show, because as real superstars you almost have to fear for your life, but were we are right now it is part of our job and in principal we're just doing the whole schmear for the fans. So, I can only speak for myself - for me the stage is what counts. Studio work, I'm not a big fan of. That's the thing that has to be done and when a song develops, getting better and bigger, that's great, but I'm not a freak who locks himself in the studio for 35 nights and works on one beat, that's too exhausting for me. But when you're on stage and the spark jumps across, either from the audience to the stage, or, mostly it's the other way around - hopefully - then you go, okay, everything paid off and that's why the fans have a right to exchange some words with us after the show. It's just important for us, that you have to draw a certain line, clearly, because there simply are fans who approach you "more aggressively", not violent or anything, but simply more offensive, so to speak. And there are the fans who are more reserved, and  they want to get a picture, and should get their autographs and should be able to talk 2, 3 sentences with us and that's why you have to tell the others "Okay, sorry, now it's the turn of the guys back there, they have been waiting for 10 minutes, maybe 20 minutes or even half an hour to take a photo." and the others can't take that amiss. And what's also very important - and it's good to mentioned that in an interview from time to time, I think - it has be to clear to everyone, that there are times for the bands, when the band is knackered. Like when you had a tough day, when the show was exhausting, because you had technical problems and so forth and you really had only stress, stress, stress, then the fan shouldn't get the wrong end of the stick, when you're are a bit gruff and you simply say: "So, I'm off, I have to cool down." Of course at the beginning this is hard to understand for many fans, because they don't have the background information. I believe, it's often an issue with women, that especially male fans don't know their limits. It isn't that big of a deal with bands as renown as we are, but if you take for example Delain or even Nightwish, or other big bands like Within Temptation, where the fans go crazy from time to time, even get physical, or putting their hand in places, where they surely have no business - if that's the case, then the fan has to expect, that it poscht!

SGO: That what???

(laughing)

Georg: Well, when he thinks he can see the female vocalist as an object of desire and grope her or whatever, then it may well be, that it backfires in his face. Either from the female vocalist herself or from another band member, because what the heck?

SGO: Ah, okay –
I do understand! *grinning* I think it's totally justified.

Foto: Serenity Germany Official - Telfs, 21. März 2015


Fabio: I think, it is very important for us, but the fans have to understand, that we’re under a lot of stress during those shows. Especially with bands of our renown, as support band we can not travel with a big crew, but have to do everything ourselves. So it can happen, that you’re completely drenched in sweat, you have to go out in the cold and then you don’t have the time nor the will to take a quick picture with someone. There are simple health aspects as well, because it is far from good, when you’re getting a cold while doing so and the tour has to be cancelled. The people have to understand that. I've been playing with this band for five years and there wasn’t one show, where we weren’t at the merch. Not a single time, we are always there and then it can’t be a problem when you don’t have time for the fans in every situation. Sometimes it’s too much, when you’re all sweaty and smelly.

SGO: I think, that should be understandable for everyone and most fans will accept it. I think it’s really nice of you , that you always find time for your fans. The personal contact with a band is very important to me as well. There are people, for whom primarily the music counts. They come to the concerts to see their band live and they leave right after the show. But there are also many fans, who like to exchange some words with the band members and I think you notice if the band likes to do that or if it is merely a chore to them. You are always affectionate towards your fans and I think that’s really great.

Georg: Super, we’re happy to hear that.

SGO: My next question refers to your future tours once more. With which bands, wether as a headliner or support act, would you like to be on stage with or doing a tour? Is there someone, where you say, doing a tour with them would be great?

Fabio: I would like to be a support on a Dream Theater tour, because they’re one of my favorite bands …

Georg: Really? What a surprise … ;) (Georg smiles)

Fabio: …, but I thought last years tour package with Beyond The Bridge and Midriff was the best we ever had as a headliner. A perfect combination and I think, that would be my favorite combination for future tours as headliner and our support acts. Or even with Souldrinker and Visions Of Atlantis like two years ago, because we had a lot of fun during both tours and all bands were absolutely down-to-earth. If you don’t look solemnly at the financial aspect, it is an important argument, that you have fun together on tour, to a certain degree. Because if you only do it for the money and you have to argue with the support act each day, it makes no sense.

Tasha: I would kill two birds with one stone and would like to support Serenity with my own band and after that singing during the headliner gig. That would be really, really great. (everyone smiles)

Georg: From my point of view - I would like to go on tour with those 80s heroes to some extent, like the Scorpions. Or of course Queen, where I’ve just been to a concert in Vienna. It also would be really cool to be on tour with Toto as support act. And if you stay within the genre, Nightwish of course, because I know exactly, that there is a potential fan base, which could be attracted to our sound. We had the honor to play with Within Temptation two times and I have to clearly say, even though they belong to the big ones, they are extremely nice and pleasant to be around. Especially Sharon, she is totally down-to-earth and after she realized that we - as a band - are very uncomplicated, everything fit in and we could get everything from them. That was simply great and I would do it again anytime. And of course it would be logically, as Tasha has said, that we take Tasha as a band  on the upcoming tour and that she would take the female guest part as well. That would be a great combination, because you  know in advance what you are up to.

SGO: Naturally that would be great, but it could possible be very exhausting for Tasha, I believe. As a support and then as guest vocalist. Such a small and petite person … (Georg smiled). Well, after all you give everything up there and Serenity has some songs, where your female guest vocalist is facing quite a  challenge – next to you she isn’t "just“ a guest vocalist.

Tasha: That’s really sweet of you. Of course it’s trying, but all the more fun – it becomes less exhausting. If you’re on the road with your own band and then being on stage with those guys, the fun factor is that high, that the effort doesn’t stress you out.

Georg: It’s the same with sports, you have to practice and then you accomplish the marathon. It’s the same with us. Whereat it’s depending on the day, of course. Sure, when you have a cold, maybe even a fever, then it’s no fun anymore.


Foto: Bernhard Schösser - freizeit-tirol.at - Telfs, 21. März 2015
 
SGO: Understandable. Let us have pot luck, who’s coming on tour with you next year. Now some private questions to you. Georg, you were really 4 years old, when you started singing?

Georg: Yes, that’s right. My mother comes from the folk music scene, not folksly, not the very superficial stuff, but rather the traditional tyrollean folk music scene. She really recorded albums, meaning LPs and stuff, and you can still hear them on local radio stations every now and then. She took me with her at a relatively young age, really even with 4 years old. That's what she keeps telling me, when I did my first performance, and as a four year old you don’t think about it, you just coo along somehow, but because of that you loose this extreme respect or the fear of the stage pretty quickly. Because many people ask frequently, how can you do it, going out there in front of 500, 1.000 up to 20.000 people, like at the Master Of Rock, when you have to stand on stage in front of 22.000 people. Yes, you’re nervous, and hopefully it stays that way till the end of your life, since everyone tells you, if that isn’t the case anymore, you should stop doing it, but of course, that’s the reason why you started it. And I think, it’s the same with all of us. I think it was similar with Tasha and with Fabio … when did you start playing music, Fabio?

Fabio: That was 1990 for me, I was 3 1/2 years old then.

Georg: Yes … we’re all coming from musical families, more or less. (smiles)

SGO: It says on the internet, that your parents gave you an Iron Maiden album for your 6th birthday…

Georg: Not my parents, that was my sister.

SGO: Your sister? Did you already rock as small munchkin, or how did she come up with that idea? That is a totally different direction than your mother’s.

Georg: Yes of course, but my sister is 12 years older and she was a metal fan! She was a huge fan of Iron Maiden, Accept, Scorpions … and gave me Iron Maiden’s „Seventh Son Of A Seventh Son“ for my 6th birthday. And as a six-year-old I had no idea what that really was, but when your older sister thinks it’s great, the six-year-old likes it as well. (smiles)

SGO (smiling): So, she manipulated you in away, to push you in the desired direction, so you wouldn’t get stuck in the folk music scene. ;)


Georg: Yes, although she’s listening to absolute gooey stuff by now and got stuck there. She switched to the Schlagermusik genre. (Georg laughs) Semino Rossi & Co …. ! ;)

SGO: Than we better stick with your direction. ;) Did you actually have a real singing education or did you teach yourself as a result of experience?

Georg: I didn’t have a real singing education in a literal sense, but I went to middle schooling and high school, both with an emphasis on music, where we had choir and singing. But real singing lesson in a sense, that I could say I was coached over years or something, no! That was learning by doing with the cover bands.

SGO: Tasha?

Tasha: I only have a classical piano education, never a singing education, but I come from a musical family as well. I founded my first band when I was 12, because I really wanted to play the drums. I took drum lessons for half a year and played my first gigs when I was 12 - as a drummer in a band. When the female vocalist was kicked out, my band members thought that I could sing, too - so I became the vocalist! I taught myself to play the guitar and when I was 14 I had my first solo appearance (guitar and vocals).

SGO:  Not bad! And you Fabio, do you have a musical education or took singing lessons?

Fabio: No, not singing lessons, never. Piano, guitar, drums. Piano for 5 years, guitar for 2 years. And even though I play bass and teach it, I never had bass lessons myself. I have my own studio, where I teach.

Georg: And while we’re at it, Chris teaches guitar and actually lives off it and Andy has an every day job. I have my regular job teaching at the university and high school and Franz-Josef is surely the most professional of us, because he is senior lecturer for piano at the University for Music in Vienna.

SGO: WOW! And you are postdoc for history at the university of Innsbruck, Georg?

Georg: Exactly!

SGO: That means, you are really teaching. If I started studying history there I would…

Georg: Then you could come and see me.

SGO: Okay, history isn’t my thing, though. Too many dates to memorize (smiles). We already spoke about it briefly: You are sweaty after a show and you have to go out in the cold - how do you avoid getting sick? Especially a female or male singer can’t afford catching a cold. A guitar or bass player can play - should it be necessary - with such, but a singer can hardly sing with a raspy voice. Have you ever been in such a situation?

Tasha: Well, a voice is in principal a muscle and when you warm it up, it works pretty well. And most of the time it’s like this: If I’m sick, then I always think before a show, oh my god, that’s not working, and as soon as you’re on stage, you’re getting warm, the body gets warm, you enter and then it’s working better. The voice is very closely connected to the head, thus it’s a matter of the mind. Only when you’re really having a fever and so on, it’s going to get tough, then it’s better you cancel the show, or you have a really nice vocalist, who bails you out.

Georg: Well, we had such situations in the past and we had to abandon a tour once, because I really had a inflammation of the middle ear and the voice was simply and totally gone, then you’re physically not capable to utter a sound, hence it makes no sense. You’re right, a drummer or a bass player or a guitar player can somehow manage to play a show with a fever, a cold or without a voice, “no problem”, but for them it’s tough as well. Even for us there’s a point, where you definitely  can’t go on, if you can’t hit a note, you can’t hit one - period.


Foto: Bernhard Schösser - freizeit-tirol.at - Telfs, 21. März 2015
 
SGO: When you’re on tour and there’s a wave of the flu going around, how do you try to protect yourself from an infection? Do you take a lot of vitamins or do you take throat lozenge for prevention?

Georg: I have to say, I try to scrounge an apple from time to time from somewhere or a lemon - and be careful like not going outside with sweaty clothes after the show, and putting a head on, change immediately, if possible and trying not to stand right under the air conditioning, IF possible. And like Tasha already said, it’s an extreme mental thing.

Fabio: I take homeopathic agents from time to time, vitamin c pills and the likes, try eating a lot of salad or other halfway healthy foods, if possible. Even though that’s difficult on tour, because it’s easier to get a pizza from somewhere, bread is easy to get by, and when you’re arriving somewhere, the catering often prepared bread, cheese, ham etc. and not necessarily a fresh salad because it’s harder to preserve and prepare. The biggest problem should be, that you often stuff unnecessary things into you, because they are there like chocolate, crisps and beer.

SGO: How do you manage private life, full-time job and the bands? Especially you, Georg, as a teacher, you are mainly bound to schedules, which has it that Serenity can only be on tour during vacation time? Or can you adapt your work to the band?

Georg: Well of course, I have to juggle, no doubt. I have to see that I manage everything in school and at the university and that’s why I can’t be on tour for 8 weeks straight. Unfortunately that’s how it is. And it’s similar with Tasha. Even though she „only“ has singing as her job, it is a regular full time job for her, just the same, because she has other jobs/dates, which she often plans a year ahead.

Tasha: It’s been 80 shows in 2015 so far, usually that would be a six day week and it will be a total just short of 300 appearances this year again.

SGO: There’s little time for private life.

Tasha: Little.

SGO: And there’s more to it then „just“ the appearances, song writing, recordings, rehearsals - is there any space and time for family? From that angle, it is very difficult for a musician to have a family. Do you basically have to choose, family or music? If so we would be back to the problem, that Thomas has.

Georg: Yes, it is difficult. But I believe, you can combine both to a certain degree. But just to that certain degree. Or you have a very understanding partner.

SGO: Or the band is big enough and you can make enough money.

Georg: Yes, as a full-time job. Then you may take your family along from time to time. But even for the big bands it’s a problem. Look at Within Temptation, Robert doesn’t go on tour anymore, he stays home with the kids.

SGO: Difficult topic. At the end just a a few short questions. First one is for you, Georg. Can you ride? I mean really horseback riding! In „The Chevalier“ and „Wings of Madness“ we can see you on a horse!

Georg: Hmmm… well, I can stay on a horse, but really riding, in a sense of a professional, I surely can’t. So going with high speed across the prairie, that won’t work with me.

SGO: So we will never see you riding gallop in a video!

Georg: No …no, surely not. It can trot somewhere, or walk, but not more.

SGO: And how about skiing? For the most part you all live in regions, where you actually expect that everyone can do that perfectly - can you, I mean really well?

Georg: Really quick answer - YES!

Fabio: As a kid I was very good at skiing, haven’t done it in over 10 years though.

Tasha: Well, I grew up in different mountains in Tyrol and was standing on skis when I was three years old for the first time. We basically lived on a slope, so right next to a lift.

SGO: With other words, all three of you can do it - I can’t do it at all.

Georg: Yes, - whereas, not being able to ski as a Tyrollean, that would be embarrassing (smiling)

SGO: One question for you, Fabio. Who’s idea was it, to cut of your hair, and why?

Fabio: Mine, my own of course! Two reasons. First, I wanted to have a practical haircut, especially for this job. Because while you are on tour, you don’t always have the time to tend to it, to wash them or to blow-dry them afterwards and it’s not good to go out with wet hair. And secondly I donated my hair to a charity for children suffering from cancer. It’s an Italian organization, because there aren’t that many of them and especially with foreign ones like America or Canada it’s really complicated and you have to fulfill a lot of stipulations. I had the idea for two years, when I saw that mainly families with kids don’t have enough money to buy their sons and daughters a wig, when they get sick and loose their hair and by donating my hair, I saw a way to help those children.

SGO: I think that's really, really nice of you! And apart from that, I think your new haircut is very nice and suits you. It’s not that the long hair didn’t suit you, but it doesn’t always have to be long hair in your job and I think your new haircut looks very good on you.

Fabio: Thank you, I hope so. I love my new haircut, it’s practical and I’m very happy about donating my hair to a good organization.

SGO: I can understand that very well. A really nice gesture of you.

Okay, there are probably a lot more interesting questions - we will save them for the next time. You have to prepare for the concert tonight and I wish you a lot of fun and a successful show. And I like to thank you all very much for this great interview and I hope your fans will have a lot of fun reading it.



Georg: We have to thank...

Serenity germany would like to thank everyone for the really great group pic.

Serenity fan pic - Telfs, 21. März 2015






Freitag, 8. Mai 2015

Interview with Georg Neuhauser & Fabio D'Amore 

Part I (English version)

Translated by Marie-Kristin Kannler, proofread by Petra Veit 
Find the German version here: German version

 Find Part I here:  Interview Part II

Telfs, March 21st 2015

Photo: SEANINEL (Brno, February 14th 2015)
Serenity Germany Official had the opportunity to meet Georg Neuhauser and Fabio D’Amore for an interview on their last tour in Telfs. The interview turned out to be longer than expected (Thanks for the endurance and patience of Georg and Fabio), so we decided to split it into two parts. So, you can look forward to the sequel in a couple of weeks.
At this point I would like to thank everyone involved, especially Georg and Fabio for this lengthy
interview.

And now, I wish you lots of fun reading it!




Hello Georg, hello Fabio,

first of all thank you for taking time to do this interview.

Georg: My pleasure! :)

Serenity Germany Official:  After the grave changes within the band recently, I take it the fans are relieved to be able to see you on tour again …


Georg: We hope so … (laughs)

SGO: I’m sure of it. Your profound article ”TIMES OF CHANGES - back to the roots“ - as you would call it, Georg, made an impact, I believe. Right?

Georg: Yep …, of course it didn’t make a deep impact. On the bottom line the changes aren’t so huge, as some might believe. Serenity was founded as a male fronted band, we have created and promoted our first three CDs as a male fronted band - of course we had duets with women on the second CD, but still … I mean, look at other bands, where this has been done for years, there were on-again / off-again guest vocalists, but that doesn’t change the entire orientation. 

It just happened with Clemi, that we said: Okay, we always need a female attendance for the duets on tour anyway, let’s make her position fixed, but in the end that didn’t work out the way we hoped. Not on a personal level, but she just wished for more influence and that was complicated for us, because we wrote the stuff. And once you’re used to something, e.g. when I write vocal lines, I don’t debate whether this is singable for a woman or not, but rather if the vocal line is good or not. And that’s when it became difficult to modify, and she herself gave little input. There was just too little time for her to work herself into the things, and that’s when we simply said: „Na, das passt net, besser so!“ (Austrian: „Nope, that ain’t working, this is better!“) … Therefore I believe, it isn’t such a big step. 
It certainly is a bigger step, that Tom, our guitarist, is not present anymore, because he was the main songwriter together with me and at the beginning with Mario as well. Therefore this was certainly a bigger intervention, than e.g. that Clemi is no longer a fixed band member. 
We will continue to have women live on stage, of course, otherwise we couldn’t play those songs anymore, but I believe, it is nice to see different women on stage and not always the same one.

SGO: The opinions about Clémentine’s departure were divided, the majority of the fans welcomed the decision, because especially your longtime fans see you as a male band. That’s my opinion as well, by the way.  I like it, when you are accompanied by a woman and Clémentine is surely a great singer, but the focus should still be on you.

Fabio: We tried the combination of male fronted band with a female integrated singer on „War Of Ages“ and it work pretty well on the two European tours, but as Georg already said, we see the band as a male fronted band and we like to have only guests in the future, just for the old songs and maybe for the new songs as well - but this band was established as a male fronted band and it should stay a male fronted band. I don’t know how the fans will think about this in the future, but I think, that this is the best solution for everybody.

SGO: Clémentine’s part was never really big. She was either singing a duet with you or not singing at all. She never had her own songs. Her job was never more than that of a guest vocalist. It is understandable, that it was not demanding enough for her.

Georg: Yes, that was absolutely understandable - no problem.

SGO: Tasha has joined you on your tour a couple of times already as a guest vocalist and she is back again. Will she be joining you more often or do you prefer to have different guest vocalists?


Tasha
Photo: ON STAGE PHOTOGRAPHY (
Pratteln, March 22nd 2015)

Georg: Well, most likely there will be different women joining us on tour. Simply because of the temporary availability of each person. If you think about it, Tasha e.g. has played 80 gigs this year alone - and the year is still young - because she really lives on music. She is the only one of us who doesn’t do anything else but sing, that means she has no studio or something like that. Fabio for example lives on his studio and the live performances, but his principal source of income is still his studio. And Natasha has nothing like that, but is a real singer. And while I am teaching at the university or working as a teacher at a high school, she calls singing her job and that’s the reason why it will be difficult to always take her with us, especially when the tour will take three weeks, and we can’t pay her because we are a supporting act. I can say, okay my income will still be paid because this will be my vacation time, but that’s not the case with her.

SGO: Tough topic, right?

Georg: Yes - hence, there will be different people joining us. Of course, Tasha will be there as often as possible, because it just makes sense. First of all, she is from the local area …

SGO: And the fans like her a lot already.

Georg: Yes and she also fits really well on a personal level.

SGO: That’s true. I had the chance to meet her personally and I think she fits really well on a personal level as well as on the stage. That is very important, because you can feel this as a fan as well. You are an amazing team up there.

Georg: Thank you!

SGO: What the fans are very interested in, is the topic Tour! You are currently working on a new album, which means you don’t have much time to be on tour. However, there will be some concerts this year - you were in Brno, and now there is a small tour with Delain coming up on your tour calendar, in May there will be a concert with Blind Guardian in Berlin, Germany and in December you will perform at the Christmas Bash in Geiselwind, Germany - are there others coming up or are you working to full capacity?

Fabio: Yes, there are further tour plans - individual shows in the summer and we might be able to take part in another tour before we release our new CD, but that’s not sure yet.

Georg: We are currently negotiating with a bigger band regarding a tour support, but we can’t say anything, because we don’t have a valid confirmation or exact information regarding this, we only know, that the band would like to have us, but there is a relevant financial aspect to it, because a 4 week tour is unbelievably expensive. 

Just this Nightliner (tour bus), in which we are sitting right now, costs € 1.000,- per day - no matter if it is being moved or standing still, you have to calculate the € 1.000,-. And that has to be paid by someone and that’s where the problem lies. 
What we can say so far, because it will take a while, until this interview will be online - we are going to make an official announcement, that we will play as a direct support for Sabaton on the Sabaton Open Air on 24th July in Switzerland. That’s a big thing, because there will be a couple of thousand people in front of the stage - and it was really great that the management of Sabaton asked us directly and wanted us for this exact slot. That’s a major honor for us. 
And we have another date, we will be a support for Powerwolf in a show in Salzburg, Austria, who have became really big in the meantime, where we received the according reception.
And we are planning a lot for 2016 already - so we are in contact with several promoters from abroad and I mean really far away, that means Asia and America.


Design: Syleen Design/Serenity Germany Official
Photo: Serenity


SGO: Sounds great. Your fans can look forward to a couple of concerts with you this year. Especially Switzerland and Austria, which were cut short … 

Georg: Yes, they can.

SGO: What I’m personally interested in, concerns your concert with Blind Guardian in Berlin - how did that happen? It is a single concert and the effort is accordingly high. You are all coming to Berlin for just one concert? I mean, I think this is great, sure - but is this profitable, does that make sense?

Fabio: Yes, I think so. I believe this, because Blind Guardian released a new album and we planned a support with them for years. We had tried to accompany them for a few shows, e.g. Austria or Sweden and maybe Slovenia, but it wasn’t possible … we were asked to do this and we accepted the one in Berlin, because we have a big fan base in Germany. Why shouldn’t we play direct support and maybe get the chance, to play the part of the opener more often in the future.
The venue isn’t as big as the usual ones, that’s why I think it will be nearly sold out. Thus I think, it makes sense, to play with Blind Guardian as main act.

Georg: I agree with Fabio 100%, even if it doesn’t pay off financially, because we won’t get a big fee etc. and we have to travel from Austria - and in Fabio’s case from Italy - to Berlin, it will pay off. Just because Blind Guardian is a big name in the scene … we basically grew up with the sound of these guys and it influenced us to a certain degree. Why we don’t play anymore shows has a simply reason, it was on really short notice that we got a spot on that date, the other places were already given to other support bands. But when the main act realizes, okay it makes sense to work with that group, that could open a few doors for us in the future, and that’s something we would like to use.

SGO: You already mentioned briefly, that you will do a big headliner tour next year. You are repeatedly asked by American fans, when you are going to return. You mentioned it earlier. Does that mean, that you definitely will do an American tour next year?

Georg: Yes, we are definitely planning a trip to North America. We certainly won’t do a 7 or 8 week tour over there, as other bands sometimes do, but it will be a 2 to 3 week thing - but we will definitely bring the new album to America.

SGO: How about Europe, what countries are on your tour plan?

Georg: This will probably be the biggest headliner tour that we did so far. 2 x 2 weeks are planned, that means we are going to be in the entire western part of Europe, England, Scotland, France, Benelux and Spain are already confirmed and we’re trying to make a stop in Portugal - which would be our first time. The second tour will integrate east Europe, meaning Czech Republic, Slovakia, Poland, Romania … that’s how it’s going to be - and Scandinavia, that’s really, really important, because we rarely were there.

SGO: I’m missing Germany, Austria and Switzerland. I hope, you are going to play there as well. You’ve totally forgotten to list them. :)

Georg: Yes, of course, they are included both times, that means we will play in Germany 3x, and in Austria 2x during the first tour. And during the second time we will play 3 concerts in Germany, depending on what’s on our way. But the emphasis will be on West Europe on the first part and on east-Europe during the second part.


Photo: ANDRE TE IMAGES (Cologne, March 19th 2015)

SGO: Wonderful, so we can look forward to this.

Georg: Yes … I hope so!

SGO: Your new album will be released in Spring - can you tell us something about it, or is it top secret?

Georg: Well, we are working on it, of course. Fact is, the sound won’t change drastically, even though Tom isn’t available to us anymore, because he worked on it with us 100%, so he will have a small influence. That’s what he promised and if you take the albums it always was a conglomerate, which means everyone made an input. 50% of the basic concept of „War of Ages“ e.g. came from me and we will surely proceed in that direction.

SGO: What about the topic? Will it be something historical again?

Georg: It will be a historical theme and a concept album. We decided to take a continuous story this time, but we can’t tell you anything specific, because we haven’t puzzled out all the details yet. But it will definitely be a historical theme.

SGO: I’m glad to hear it!

Georg: We will stick to it, because - I think there are a lot of people, who don’t care so much about the lyrics and the content in general, for them the priority lies on the music without the content and lyrics, but I think there are quite a few folks, especially in the metal scene, who are especially interested in history, and that fits as well. It is important for us to deliver a total package - that means the artwork has to fit, the lyrics should be harmonious. Something like that.

SGO: Sounds great, because I have to admit ”War of Ages“ is my favorite album.

Georg: Fantastic! :)

SGO: Do you already have specific ideas and wishes, who you would like to have as a guest musician/vocalist? I mean, sometimes you write a song or a vocal line for a certain person, when you know you’d like that person to participate.

Fabio: Nothing concrete so far, but we have some ideas. Since we are working on a concept album, I would like to have a narrator with a very memorable voice - a narrator, who guides us through the story.  I don’t have a name in mind so far, we aren’t at that point yet, but that is very important to me.

Georg: Talking about Blind Guardian, they did this wonderfully with “Nightfall in Middle-Earth“.

Fabio: Yes … I had the same idea.

SGO: You already mentioned it shortly, Georg, that the song writing could be more difficult, due to the absence of Thomas. Will this be influencing the album negatively in some way and what will change?

Georg: Well, the sound will change a bit, because Tom is missing, no question there, but that doesn’t have to be a disadvantage. A lot of changes, if you look at other bands … if we stay in this scene, e.g. the swap from the first Kamelot vocalist to Roy Khan was certainly no big loss in my opinion (laughs) - and now again, even though Roy had a special character, no doubt, Tommy is a great vocalist and if someone says he or she won’t buy the CDs or doesn’t listen to them anymore because the person isn’t listening to the exact same voice anymore, well then … he should do it, that’s it, but as long as the quality is suitable, everyone can be replaced to a certain degree in my opinion. 

And if I think about a Queen concert, that I have visited not long ago in Vienna - without Freddie, of course, but nevertheless it was an awesome concert - listening to the songs, seeing it live, the stage performance and Adam Lambert, who did a great job. Especially, that the original band members Brian May and Roger Taylor were part of it, that’s why it doesn’t have to be a disaster, when someone leaves.

SGO: I agree. A band is a band …

Georg: Exactly!

SGO: And if someone says; Roy left and therefore Kamelot is dead for me, that basically means he doesn’t like the band, but he just likes the vocalist. I think, a band has to fit together and that includes all band members.

Georg: Exactly! Otherwise there wouldn’t be any more Nightwish-Fans. And of course - this sounds very egotistic, but it surely is an even bigger cut when the voice changes, than an instrumentalist, I think. Not to reduce the performance of the guitarist, bassist or the drummer, but I believe the human voice has more identity than an instrument.

SGO: Definitely. The voice of the singer is more noticeable. A guitar - I have to admit, I e.g. don’t hear a difference, whether Christian is playing or Thomas - but I would hear the difference immediately, if Tommy sang your songs instead of you.

Georg: Yes, of course. Yes - there’s more identity to it.


Photo: Bernhard Schösser - freizeit-tirol.at (Telfs, March 21st 2015)

SGO: Getting back to the original question, you don’t see any disadvantages, but will continue as before.

Georg: It will continue in any case. We stay on track … and the influence of the remaining band members will definitely increase. We will miss Thomas of course, that goes without saying. He was a big part of us, yes - but he decided it and that’s how it is.

SGO: This decision was surely a tough one, but it is difficult for someone who has a family and a job, to find enough time for a band ….

Georg: Yes, of course.

SGO: The artwork is very important for an album, because the CD needs a nice and appealing exterior. How and where do you find your themes? Are you contacting special designers saying, that’s our topic, do something with it, or do you search the market first and decide if something could be suitable? How do you do it? The amazing artwork for ”War Of Ages“ was made by Seth Siro Anton. What made you consider him?


Georg: Well, you see work of the other bands, clearly … and in our case the same artist who did ”Words Untold & Dreams Unlived“ designed the artwork for ”War Of Ages“ as well. We saw some of his artwork for other bands and then contacted him. That was Seth Siro, as he calls himself. He is Greek, but plays in a band himself, ”Septicflesh“, indeed it is a different kind of metal, but he understands it perfectly to practice the mixing technique, that we like so much. That means he is actually drawing, using oil and everything else and reworking it with Photoshop etc. as well - so he does some composing. It is important to us, that we don’t have – “Death & Legacy“ might’ve been a bit out of the ordinary - the extremely trashy cover for Serenity. Okay I have to admit, that “Death & Legacy“ was somewhat trashy, but we wanted it that way at the time, but all the other ones should be more high class, classy, bombastic and artistic.

SGO: The work of Seth Siro Anton is simply brilliant. I’m checking on his work from time to time myself. Kamelot has used his services, too.

Georg: Yes - though the funny thing is, that suspicion might rise, we used the same as Kamelot did, when it was the other way around.

SGO: You used something by him first.


Georg: Yes, exactly, it was the other way around. Same with Stefan Heilemann, e.g., who made the latest two Kamelot things, the new one “Haven“ and the one before that. ”Death & Legacy“ was created before those in 2011 - and that was Heilemann.  So - it went the other way a couple of times. Though the pool isn’t that big. There are 5 maybe 6 artists in that scene in business, who are really specialized in that sort of thing, that’s all.

SGO: So a market gap …. ;)

Georg: Yes … though the budget isn’t always the biggest. So living off that is really difficult.

SGO: There are songs like “Velatum“, ”Fairytales“ and “Serenade Of Flames“, which you always play, they were almost never missing on your set list. Those are the kind of songs you are obligated to play and belong to a show of yours. Now we have your latest album “War Of Ages“ - which song or songs of that album will be added to the ”must-play-songs“? I think “Legacy Of Tudors“ will be one of them, because you’re playing it very often.


Setliste: Telfs, March 21st 2015
Photo: Serenity Germany Official


Fabio: Our set list will change from time to time of course and it will change on this tour, ”War Of Ages“ was very dominant on the last set list, but now before the next album will be released, we are mixing the songs a bit more - but I think “Matricide“, “Legacy Of Tudors“ will be always present and “Royal Pain“ is another great song.

Georg: Like Fabio said, the tour, that we are playing now - naturally we don’t have a new album yet, but you can’t assume that it’s THE “War Of Ages“ tour, and that’s why we have the liberty to mix it up a bit. We try to include songs from every CD. Today as well - we have something from our debut album, we have accordingly something from “Fallen Sanctuary“, we have something from “Death & Legacy“ and we have a couple of “War Of Ages“ songs on it and with time the live songs will show themselves and the others will be more of CD-songs or studio songs - and the reaction to “Legacy Of Tudors“ is accordingly enthusiastic, same as “Velatum“ etc. 

Those are just certain songs … other bands, I don’t know, Iron Maiden e.g. always have to play “Run To The Hills“, otherwise you will be disappointed, and AC/DC have to play “Highway To Hell“ - not comparing those classics to our songs, but there are songs, that the people want to hear - and will be received accordingly when played live. That will stay that way. 
During our last two tours, the ”War Of Ages“ main act tour, first 2013 and then 2014, we have played far more songs from “War of Ages“, 6 songs in total from the current album. Now of course, 2 years later, we can mix it a bit.


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To be continued … ;)